SEA  
ARCHIVES  


Designed as a comprehensive resource on spatial thinking, experimental pedagogy, and academic practices, this archive serves as a record for reference and critical analysis. 

More than a traditional institutional repository, it is envisioned as an "Archive of Ideas," structured to mirror the conceptual and intellectual framework of SEA. The platform captures specific engagements, explorations, and pedagogical reorientations, expressing the school's distinct set of practices constituted by its students and teachers. 

The collection encompasses intellectual articulations—from course books and objectives to studio briefs and lectures—alongside a  documentation of student work, field studies, and thesis projects. Through this structure, the archive navigates complex inquiries into typologies, ontologies, and genealogies, while exploring themes of environment, urbanisation, futures, and ethics. It serves as a space for rethinking geographies and histories of type, offering the school's co-learning experiments and its ongoing articulation of space and form.


+ CORE COURSES
+ CULTURE STUDIES

+ CHOICE COURSES
+ SETTLEMENT STUDIES


 CORE COURSES  






Core modules are anchor courses around the philosophies of SEA. They are experimental and exploratory - jointly undertaken by the faculty and students of SEA towards not only developing new knowledge, but also speculating and projecting on architectural ideas and questions for developing new possibilities for life and living.These courses are set up with a twin agenda - first to build capacities in spatial analysis and design at various scales; and second to build a conceptual, spatial, visual and making culture at SEA.

Conceptual Culture
refers to a culture of depending on conceptual articulations to engage with life (and architecture). The premise here is that our lives (including architecture) are shaped through concepts, and it is the job of academia to interrogate them. Through these courses, students and teachers will be involved in rigorously interrogating these concepts. Each semester will focus on one of the concepts (or cluster of concepts) that have significantly shaped architecture, and subsequently life.

Visual Culture
refers to a culture that believes that we as society are significantly shaped by images. Here images mean drawings, photographs, signages, hoardings, and even the image of form that one perceives (for example - image of a street in one’s mind). The premise here is that the structure and language of these images (particularly drawings, when made for understanding, analysing or imagining new forms of life and space) shape the world we live in, aspire towards, and make. Every semester, the Core Courses will explore different kinds of image-making to explore the concepts they are working with.

Spatial Culture
refers to a culture of thinking through space and place. The premise here is that there are relationships between a specific (geographic & temporal) form of society and spatial culture - every society produces its spatiality and vice-versa (for example: a chawl or a palace or a fort  is produced in a specific society). Spatial culture not only has to do with the specific forms / types / patterns of spatiality, but also with contexts, modes, methods and mechanics of imagining / producing such spatiality along with the experiences and relationships the spatiality creates.
he concept of ‘spatial culture’ collapses the distinction between materiality of space and the abstractions in social relationships into one composite idea. Spatial culture impacts the experience of space. The courses will seek to think of the world as a spatially structured entity and make space active in all engagements with the world.

Making Culture refers to a culture of looking closely at the mechanics of physicalities and viscerally engaging with the world. The premise here is that space and form are inseparable and humans think of space through form. Form has a structure and materiality, which are instrumental in form-making. The Core Courses will invest in experimenting and exploring form, its structure, its assemblies, its detail, the processes of putting them together along with affordances, experiences and meanings generated.

The following courses are conducted through the ten semesters as Core Courses at SEA.






1CC01M
ORIENTATION


1CC02M  
FORM THROUGH DRAWINGS


1CC03W  
MATERIAL SYSTEMS


1CC04W  
EXPERIENCING FORM




1CC0AW
MATERIAL AS BUILDING ELEMENTS



1CC0BW
FIELD LOGICS



2CC01M
COMPUTATIONAL & DIGITAL METHODS



2CC02M
ENVIRONMENTAL AS ARCHITECTURE




2CC03W
BUILDING SYSTEMS



2CC03W
TYPE IN CLUSTER, BEHAVIOUR, MEANING & EXPERIENCE



2CC0AX
SPACE SYNTAX


2CC0BX
ENVIRONMENTAL FLOWS & MATERIALS




2CC0CX
DIAGRAM & LANGUAGE


2CC0DX
SYSTEM ONTOLOGIES


2CC0EX
CONTEXT & BUILDING


2CC0FX
RESOURCE AUDIT




3CC01M
GENEOLOGY OF INSTITUTIONS



3CC02W
COMMUNITY & BUILTFORM


3CC03W
BUILDING MAKING



3CC0AX
DESIGN & DETAIL




3CC0BX
RESOURCES & FLOWS


3CC0CX
TECHNOLOGICAL SENSORIUMS


3CC0DX
ENVIRONMENTAL THRESHOLDS


3CC0EX
SPANNING & ENVIRONMENTAL SYSTEMS




4CC01M
MASS INHABITATION


4CC0AX
EMERGING URBANISATION


4CC0BX
HYBRID TALL BUILDINGS


4CC0CX
HOUSING & DIFFERENCE






ALD001
REPAIR AND RETROFITTING



ALD002
EMERGING TECHNOLOGIES



ALD003
CONTEXTUAL TECHNOLOGIES


ALD004
URBAN STUDIES AND DESIGN





ALD005
LIVING IN A METAPHOR


ALD006
THE SCRIBE AND THE LABYRINTH


ALD007
MINIATURE AS METHOD



ALD008
DIGITIAL ANATOMIES & MATERIAL AUTONOMIES





ALD009
SHELTERING IDIOSYNCRASIES OF A HOME



ALD010
US EFUL AND UNUSEFUL OBJECTS



ALD011
IN A CITY PARTS DO NOT MAKE THE WHOLE


ALD012
THE BRICOLEUR :  BRICOLAGE AS METHOD






ALD013
ENVIRONMENT AS A PRACTICE OF CARE


ALD014
THEORISING HOUSING PRACTICES


ALD015
LAPUTA THE FLYING CASTLE


ALD016
ARCHITECTURE OF EXFOLIATION




ALD017
THE ARCHITECTURAL KITCHEN


ALD018
THE SELF & THE STRUCTURE


ALD019
HUMAN ECOLOGY & ARCHITECTURE




ALD020
MEANING  & FORM:  OBJECTS , MOVEMENTS  & SOUNDS




ALD021
PARTICIPATORY DESIGN


ALD022
GENDERED SPACES IN THE CITY




ALD023
BODIES, CITIES, ECOLOGIES:  POSTCARDS FROM MUMBAI AND NAIROBI


ALD024
SOUND MECHANISMS





ALD025
MAKING A PROTOTYPE + PAVILION


ALD026
THINKING THROUGH MOBILITIES


ALD027
CHAIR FURNITURE DESIGN


ALD028
MAKING HOME





SPC001
TECHNOLOGICAL SENSORIUMS


SPC002
SPATIALITY OF THE FUTURE


SPC003
EVERYDAY ENVIRONMENT & ARCHITECTURE OF EXFOLIATION


SPC004
CURATION &  EXHIBITION DESIGN




SPC005
PRODUCT DESIGN


SPC006
LANDSCAPE  URBANISM:  COMMONS, DESIGNING THE BIO-DIVERSE & SPECIES  INCLUSIVE CITY



SPC007
3D DIGITAL FABRICATION


SPC008
TACTICAL INTERVENTIONS, POSSIBILITIES & RECONCILIATION THROUGH DESIGN




SPC009
RETHINKING SPATIALITY WITH BAMBOO


SPC010
URBAN INFORMATION AND GIS



SPC011
MAKING A  PAVILION


SPC012
LANDSCAPE DESIGN





SPC013
STREET ENVIRONMENT DESIGN


SPC014
INTERIOR DESIGN


SPC015
DESIGN AND MAKE (NEPAL)


SPC016
DESIGNING FOR STREET VENDORS (ANJAR, KUTCH)